Sound Installation
Interractive environment
Interractive environment
Listening Topologies is an interractive installation, inspired by the concept of Sound-maps. Virtual maps that are usually in the form of a website, where field recordists can attach recorded sounds from a specific location. These sonic maps offer us a listening moment within a landscape that might be out of our current reach. They invite us
to see the world from the perspective of a listener, instead of a viewer. I became interested in how similar kinds of projects, based in the digital spaces, can bring us different perspectives on navigating our physical reality.
Putting an emphasis on the sonic representation of the world, followed by the visual.
The idea was based on a MaxMSP patch that re-arranges the captured field recordings into a new sonic topology
- an interractive sonic map of Hranice. This sound map becomes activated through visitors' interaction with a light source that can be moved in space. Depending on the position of the light, different field recordings from the map are triggered, the visitor defines which part of the map will be listened to. With every new placement of the light, the visitor gets a different listening experience from the local landscape.
…”When I am field recording, hunting for sounds, either alone or with someone, I get into a state when I am mainly trying to perceive the landscape through sound. I let that sensation lead my walk, define where I will go. It’s a state when sound leads my body and shapes a trajectory in space.”
Developed during summer Residency in zech Republic, at KRA Vysočina, in 2025,
suppported by Višegrad Fonts
to see the world from the perspective of a listener, instead of a viewer. I became interested in how similar kinds of projects, based in the digital spaces, can bring us different perspectives on navigating our physical reality.
Putting an emphasis on the sonic representation of the world, followed by the visual.
The idea was based on a MaxMSP patch that re-arranges the captured field recordings into a new sonic topology
- an interractive sonic map of Hranice. This sound map becomes activated through visitors' interaction with a light source that can be moved in space. Depending on the position of the light, different field recordings from the map are triggered, the visitor defines which part of the map will be listened to. With every new placement of the light, the visitor gets a different listening experience from the local landscape.
…”When I am field recording, hunting for sounds, either alone or with someone, I get into a state when I am mainly trying to perceive the landscape through sound. I let that sensation lead my walk, define where I will go. It’s a state when sound leads my body and shapes a trajectory in space.”
Developed during summer Residency in zech Republic, at KRA Vysočina, in 2025,
suppported by Višegrad Fonts
Installation
2023
2023
Soniferous garden is a performing environment developed in collaboration with Cecilie Fang, consisting of multiple sensors, a water circulation system, soil, liquids and live visuals. As the sensors measure the moisture, pH value and water level of the soil, the data is translated into sound. A camera is set to translate the current soil humidity into live visuals on screens. The project is a result of a dialogue, forming a common ground for discussion about the extraction of soil and water.
The installation creates a Lo-fi site for listening and encountering the landscape, questing the integration of technology within natural environments.
An installation space to be activated through performance and interaction.
A third place to form a community through the repetition of gestures.
The installation creates a Lo-fi site for listening and encountering the landscape, questing the integration of technology within natural environments.
An installation space to be activated through performance and interaction.
A third place to form a community through the repetition of gestures.
Another failed project is an ongoing artistic initiative, exploring the interesections of Art and Activism. Run since 2023 in collaboration with Celestina Minichova. Through performative acts and collective engagement, we try to bring attention to a landfill in Bratislava, Vrakuňa, at the moment potentially endangering one of the biggest sources
of drinkable water in middle Europe -Žitný ostrov.
Site-specific group performance
First part of the project was a site-specific group performance that took place at the Chemical waste dump CHZJD
in Bratislava- Vrakuňa district. This location is a hidden place in the capital of Slovakia, where toxic substances are contaminating soil, underground water since 1966. The landfill in Vrakuna Bratislava - containing hazardous waste originating mostly from chemical industry - has been contaminating the soil and groundwater for over 30 years.
The title of the performance reflects yet another failed attempt to solve this long-standing problem. Revealing
the conditional interdependence between politics and the environment.
~
Featuring and developed with:
Viktoria Arvayová, Adam Balogh, Silvia Binda Heiserova, Václav Janoščík, Fero Király, Celestína Minichová,
Kasha Potrohosh, Volodymyr Serhachov, Martin Toldy, Boris Vitázek, Marína Abramovič Po Sebe Neupratuje
You can read more about the project in this article: @mloki.sk (in Slovak)
Photos by Adam Balog, Lujza Reingraber and Lisa Achammer.
of drinkable water in middle Europe -Žitný ostrov.
Site-specific group performance
First part of the project was a site-specific group performance that took place at the Chemical waste dump CHZJD
in Bratislava- Vrakuňa district. This location is a hidden place in the capital of Slovakia, where toxic substances are contaminating soil, underground water since 1966. The landfill in Vrakuna Bratislava - containing hazardous waste originating mostly from chemical industry - has been contaminating the soil and groundwater for over 30 years.
The title of the performance reflects yet another failed attempt to solve this long-standing problem. Revealing
the conditional interdependence between politics and the environment.
~
Featuring and developed with:
Viktoria Arvayová, Adam Balogh, Silvia Binda Heiserova, Václav Janoščík, Fero Király, Celestína Minichová,
Kasha Potrohosh, Volodymyr Serhachov, Martin Toldy, Boris Vitázek, Marína Abramovič Po Sebe Neupratuje
You can read more about the project in this article: @mloki.sk (in Slovak)
Photos by Adam Balog, Lujza Reingraber and Lisa Achammer.
Listening Workshop: That Which Waters the Ground - That Which Sound the Scape(s)
That Which Waters the Ground - That Which Sound the Scape(s) seeks to find possible answers to the question: How can we understand the environment to be able to (under)stand it and (under)stand with it? Through a series of meditative exercises, field recordings, movement, and speculative storytelling.
It is a workshop based on developing ideas about staying with problems. It is a process-oriented, site-dependent workshop that globally networks places, highlighting the relationships and connections between different parts of the world. The workshop aims to bring together participants from various creative backgrounds who are interested in discovering strategies that combine sound and movement in relation to the environment in which we find ourselves. Inspired by Pauline Oliveros and her concepts of deep listening, as well as Donna Haraway and Milan Adamčiak, we will navigatethrough the contexts of Žitný ostrov. Framed by 10 structured meditative exercises, we will listen, compose, and speculate on lyrical and epic stories—becoming aware of each other'spresence.
Letter to the minister
Audiovisual Installation
Signalling Cell consists of a projection of the water surface which is captured by a web camera.
A hanging microphone in the centre of the space is creating feedback with the speaker. The sound of the feedback is generating cymatic shapes on the water surface. When visitors of the installation manipulate with the microphone they will change the sound and thereby influence the projected visuals.
If specific sound frequencies can influence cells in our body, to what extent are we then formed by the sound that is surrounding us? Aim of the project was to create a space for listening to individual frequencies, to perceive their effect on one’s mind and body.
Drawing from biology, our bodies respond to different cues by activating feedback mechanisms to maintain a stable internal state. Feedback mechanisms begin when there is an external stimulus that leads to changes away from the set point, that triggers the correct feedback loop. This works by the communication of cells between each other called cell signalling. Inspired by this phenomena, I was working with subwoofers to visualise the feedback between a speaker and a microphone on a water surface. I created a cell-like looking visual responding to the visitor’s interaction,
to the external stimulus.
Signalling cell is an installation developed for the Art Machines Festival in Utrecht, 7 December 2022. The concept was inspired by a workshop on sound feedback conducted by Edwin van der Heide, hosted by Creative Coding Utrecht.
A hanging microphone in the centre of the space is creating feedback with the speaker. The sound of the feedback is generating cymatic shapes on the water surface. When visitors of the installation manipulate with the microphone they will change the sound and thereby influence the projected visuals.
If specific sound frequencies can influence cells in our body, to what extent are we then formed by the sound that is surrounding us? Aim of the project was to create a space for listening to individual frequencies, to perceive their effect on one’s mind and body.
Drawing from biology, our bodies respond to different cues by activating feedback mechanisms to maintain a stable internal state. Feedback mechanisms begin when there is an external stimulus that leads to changes away from the set point, that triggers the correct feedback loop. This works by the communication of cells between each other called cell signalling. Inspired by this phenomena, I was working with subwoofers to visualise the feedback between a speaker and a microphone on a water surface. I created a cell-like looking visual responding to the visitor’s interaction,
to the external stimulus.
Signalling cell is an installation developed for the Art Machines Festival in Utrecht, 7 December 2022. The concept was inspired by a workshop on sound feedback conducted by Edwin van der Heide, hosted by Creative Coding Utrecht.
Visitors interacting with the installation: https://www.youtube.com/watch?v=GBGuWHo1-GI
Site-specific
Light installation
Light installation
Converting analog spaces is a site-specific meditative environment, developed for the group exhibition Rozptyl. Representing a landscape formed by glitches and errors, merging with the actual space of the Azyl House building on Karpatská 24, in Bratislava. How do we inhabit the virtual landscapes and how do these landscapes affect our actual landscape?
Presented at collective exhibition Rozptyl, in Bratislava 2023
Listen: Composition Analog Space1
Presented at collective exhibition Rozptyl, in Bratislava 2023
Listen: Composition Analog Space1
I fly above the scarred land
Glitchy stones, invisible entities
We all have a gene
leaking into the collective body
Become aware of your fingertips
Slowly extending into the network
You are stretching across the land in irregular, fragmented fractal shapes
your fingers are reaching from one continent to another
you’re pushing your fingers harder into the earth, engraving the soil
forming paths of communication,
we are sharing the same toxins and liquids
zero, one, space
Physiologically your body is shaped by bits
your veins are under constant pressure
of physical algorithms
Slash
heartbeat
two
breath
Bracket, the squared one
As my eyes close
Space between the lines
Glitchy stones, invisible entities
We all have a gene
leaking into the collective body
Become aware of your fingertips
Slowly extending into the network
You are stretching across the land in irregular, fragmented fractal shapes
your fingers are reaching from one continent to another
you’re pushing your fingers harder into the earth, engraving the soil
forming paths of communication,
we are sharing the same toxins and liquids
zero, one, space
Physiologically your body is shaped by bits
your veins are under constant pressure
of physical algorithms
Slash
heartbeat
two
breath
Bracket, the squared one
As my eyes close
Space between the lines
In the past when our ancestors wanted to communicate
They had to undertake a long cruise
on a river
they’ve been connected through water
Through water they’ve been exchanging stories
And the emotions they carried were transformed
by the tide
They simply wanted to deliver a message.
Entering this land promises more freedom
stay connected
to this feeling of togetherness
feel the moon
As a circle
a square
a blue point on your forehead
feel the light entering you
Slash
heartbeat
two
breath
Bracket - the squared one
As my eyes close
Space between the lines
zero, one, square, point
Sacrifice your roots,
enter a collective dream,
Of bodies of zeros, bits and blood..
They had to undertake a long cruise
on a river
they’ve been connected through water
Through water they’ve been exchanging stories
And the emotions they carried were transformed
by the tide
They simply wanted to deliver a message.
Entering this land promises more freedom
stay connected
to this feeling of togetherness
feel the moon
As a circle
a square
a blue point on your forehead
feel the light entering you
Slash
heartbeat
two
breath
Bracket - the squared one
As my eyes close
Space between the lines
zero, one, square, point
Sacrifice your roots,
enter a collective dream,
Of bodies of zeros, bits and blood..