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<channel>
	<title>Viktoria Arvayova</title>
	<link>https://viktoriaarvay.cargo.site</link>
	<description>Viktoria Arvayova</description>
	<pubDate>Thu, 07 May 2026 09:20:53 +0000</pubDate>
	<generator>https://viktoriaarvay.cargo.site</generator>
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		<title>Fontána Vodná Ruža</title>
				
		<link>https://viktoriaarvay.cargo.site/Fontana-Vodna-Ruza</link>

		<pubDate>Thu, 07 May 2026 09:20:53 +0000</pubDate>

		<dc:creator>Viktoria Arvayova</dc:creator>

		<guid isPermaLink="true">https://viktoriaarvay.cargo.site/Fontana-Vodna-Ruza</guid>

		<description>
	Fontána
Vodná Ruža
Site-specific composition/&#38;nbsp;

2025


	A sound composition made for a specific fountain in Bratislava, as part of the Listening to Fountains project by Eva Sajanová. &#38;nbsp;---&#38;gt; &#38;nbsp;www.pofo.sk&#38;nbsp; &#38;lt;---Voice and text by Celestina MInichová
Mixing and mastering by Francesco Broccoli&#38;nbsp;


 &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp;
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	<item>
		<title>Listening Topologies</title>
				
		<link>https://viktoriaarvay.cargo.site/Listening-Topologies</link>

		<pubDate>Thu, 28 Aug 2025 10:16:06 +0000</pubDate>

		<dc:creator>Viktoria Arvayova</dc:creator>

		<guid isPermaLink="true">https://viktoriaarvay.cargo.site/Listening-Topologies</guid>

		<description>
	Listening Topologies
Sound Installation 
Interactive environment
	Listening Topologies was a framework developed  during a summer Residency in Hranice - in Czech Republic, at KRAVIN rural arts in Hranice - Vysočina.&#38;nbsp;Researched through a process based series of site specific interventions and an interractive installation, developed on the site. The work was inspired by the local landscape and the concept of Sound-mapping. 
The body of work examines how boundaries and borders can be reinterpreted through sonic representations and speculative mapping. 
Sonic maps, which allow us to scroll through the sonority of specific places, sometimes out of our reach. They invite us to see the world from the perspective of a listener, instead of a viewer. I became interested in how similar kinds of projects, based in the digital spaces, can bring 
us different perspectives on navigating our physical reality. 

 “When I am field recording, hunting for sounds, either alone or with someone, I get into a state when I am mainly trying to perceive 
the landscape through sound. I let that sensation lead my walk. It is a state when sound leads my body and shapes a trajectory in space. 
I give this form of navigation the same value as following a regular map.” 

The idea was based on a MaxMSP patch that re-arranges the captured field recordings into a new sonic topology - an interractive sonic map of Hranice. This sound map becomes activated through visitors' interaction with a light source that can be moved in space. Depending 
on the position of the light, different field recordings from the map are triggered, the visitor defines which part of the map will be listened to. 
With every new placement of the light,the visitor gets a different listening experience from the local landscape. 
Developed during summer Residency in Czech Republic, at KRA Vysočina, in 2025, suppported by Visegrad Fonts




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&#38;nbsp; &#38;nbsp;


</description>
		
	</item>
		
		
	<item>
		<title>Soniferous garden</title>
				
		<link>https://viktoriaarvay.cargo.site/Soniferous-garden</link>

		<pubDate>Fri, 22 Dec 2023 14:57:00 +0000</pubDate>

		<dc:creator>Viktoria Arvayova</dc:creator>

		<guid isPermaLink="true">https://viktoriaarvay.cargo.site/Soniferous-garden</guid>

		<description>
	Soniferous Garden
Installation&#38;nbsp;2023


	Soniferous garden is a performing environment developed in collaboration with Cecilie Fang. The project is a result of a dialogue, forming a common ground for discussion about the extraction of soil and water from an eco-feminist perspective.&#38;nbsp;The installation creates an audiovisual Lo-fi site for listening and encountering the landscape.

An installation space to be activated through performance and interaction. A third place to form a community through the repetition of gestures.




	
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</description>
		
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	<item>
		<title>Another failed project</title>
				
		<link>https://viktoriaarvay.cargo.site/Another-failed-project</link>

		<pubDate>Sun, 08 Oct 2023 10:03:19 +0000</pubDate>

		<dc:creator>Viktoria Arvayova</dc:creator>

		<guid isPermaLink="true">https://viktoriaarvay.cargo.site/Another-failed-project</guid>

		<description>
	&#60;img width="2481" height="2481" width_o="2481" height_o="2481" data-src="https://freight.cargo.site/t/original/i/8de27fe0498d60af57ac718dc88f5662637734cf50d4e8b3cfbfdf664c43edbf/instagram.jpg" data-mid="209353985" border="0"  src="https://freight.cargo.site/w/1000/i/8de27fe0498d60af57ac718dc88f5662637734cf50d4e8b3cfbfdf664c43edbf/instagram.jpg" /&#62;
Site
	An ongoing series of projects centered on collective listening.Listening to and with the environment, these interventions invite participants to attune to environmentally problematic sites such as factories, and contaminated lakes. Through shared acts of listening, the projects explore how sensitivity and connectedness can emerge from sonic engagement — and how listening and sounding together might deepen our relationship with the environment.
Main thread of the project developed in 2023, in collaboration with Celestina Minichova. Our first organised event was called Another failed project. A collective performance exploring the interesections of Art and Activism through performative acts and situated discussion, 
we wanted to invite the audience to a landfill in Bratislava, Vrakuňa, at the moment potentially endangering one of the biggest sources 
of drinkable water in middle Europe -Žitný ostrov.&#38;nbsp;
Site-specific group performance

Taking place at the Chemical waste dump CHZJD in Bratislava- Vrakuňa district. This location is a hidden place in the capital of Slovakia, where toxic substances are contaminating soil, underground water since 1966. The landfill in Vrakuna Bratislava - containing hazardous waste originating mostly from chemical industry - has been contaminating the soil and groundwater for over 30 years. The title of the performance reflects yet another failed attempt to solve this long-standing problem. Revealing the conditional interdependence between politics and the environment. 

~Featuring and developed with:Viktoria Arvayová, Adam Balogh, Silvia Binda Heiserova, Václav Janoščík, Fero Király, Celestína Minichová, 
Kasha Potrohosh, Volodymyr Serhachov, Martin Toldy, Boris Vitázek, Marína Abramovič Po Sebe Neupratuje
You can read more about the project in this article:&#38;nbsp;@mloki.sk (in Slovak)
Photos by Adam Balog, Lujza Reingraber and Lisa Achammer.





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&#60;img width="2481" height="2485" width_o="2481" height_o="2485" data-src="https://freight.cargo.site/t/original/i/4e6f63f180d6219c0c73873419a78951676f86ba662263e9bc5836aa56f2edf6/insta-Final.jpg" data-mid="193044708" border="0"  src="https://freight.cargo.site/w/1000/i/4e6f63f180d6219c0c73873419a78951676f86ba662263e9bc5836aa56f2edf6/insta-Final.jpg" /&#62;
&#60;img width="1322" height="1029" width_o="1322" height_o="1029" data-src="https://freight.cargo.site/t/original/i/05a7249eb43a2cd21f578203d6749df036288d1d2cde60d705625263a605cbeb/mapak-popis.jpg" data-mid="193044677" border="0"  src="https://freight.cargo.site/w/1000/i/05a7249eb43a2cd21f578203d6749df036288d1d2cde60d705625263a605cbeb/mapak-popis.jpg" /&#62;
&#60;img width="2480" height="2480" width_o="2480" height_o="2480" data-src="https://freight.cargo.site/t/original/i/cb680feaa673e98767f9e92d004e20aa41ce27a9935c6db9f30574457fe4b9d4/mapka-skladka-vo-Vrakuni.jpg" data-mid="193045249" border="0"  src="https://freight.cargo.site/w/1000/i/cb680feaa673e98767f9e92d004e20aa41ce27a9935c6db9f30574457fe4b9d4/mapka-skladka-vo-Vrakuni.jpg" /&#62;

Listening Workshop: That Which Waters the Ground - 
That Which Sound the Scape(s)
That Which Waters the Ground - 
That Which Sound the Scape(s) seeks to find possible answers to the question: How can we understand the environment to be able to (under)stand it and (under)stand with it? Through a series of meditative exercises, field recordings, movement, and speculative storytelling.It is a workshop based on developing ideas about staying with problems. It is a process-oriented, site-dependent workshop that globally networks places, highlighting the relationships and connections between different parts of the world. The workshop aims to bring together participants from various creative backgrounds who are interested in discovering strategies that combine sound and movement in relation to the environment in which we find ourselves. Inspired by Pauline Oliveros and her concepts of deep listening, as well as Donna Haraway and Milan Adamčiak, we will navigatethrough the contexts of Žitný ostrov. Framed by 10 structured meditative exercises, we will listen, compose, and speculate on lyrical and epic stories—becoming aware of each other'spresence.


&#60;img width="4500" height="4500" width_o="4500" height_o="4500" data-src="https://freight.cargo.site/t/original/i/268f09c608d48c43d3d37901a5dae66a7d77c6c61ac7fb18c4bd64d8ee1ec82f/workshop_poster-01.jpg" data-mid="237573776" border="0"  src="https://freight.cargo.site/w/1000/i/268f09c608d48c43d3d37901a5dae66a7d77c6c61ac7fb18c4bd64d8ee1ec82f/workshop_poster-01.jpg" /&#62;
&#60;img width="4501" height="4500" width_o="4501" height_o="4500" data-src="https://freight.cargo.site/t/original/i/fc71a781620ef2a70b32d47386da898a7c08d1e4de91890d8434a10500bb7607/workshop_poster-02.jpg" data-mid="237573777" border="0"  src="https://freight.cargo.site/w/1000/i/fc71a781620ef2a70b32d47386da898a7c08d1e4de91890d8434a10500bb7607/workshop_poster-02.jpg" /&#62;
&#60;img width="5616" height="3744" width_o="5616" height_o="3744" data-src="https://freight.cargo.site/t/original/i/d8db0b0e7a0e4caa66a32705cc48b1e04cf8c16257133578bbf10706d07da201/IMG_9301.jpg" data-mid="237574137" border="0"  src="https://freight.cargo.site/w/1000/i/d8db0b0e7a0e4caa66a32705cc48b1e04cf8c16257133578bbf10706d07da201/IMG_9301.jpg" /&#62;
&#60;img width="5616" height="3744" width_o="5616" height_o="3744" data-src="https://freight.cargo.site/t/original/i/5ea5fc3da1c54c40c9e4dc6275650e3fa03d7cd696590cc993ff6087633ea34c/IMG_9299.jpg" data-mid="237574135" border="0"  src="https://freight.cargo.site/w/1000/i/5ea5fc3da1c54c40c9e4dc6275650e3fa03d7cd696590cc993ff6087633ea34c/IMG_9299.jpg" /&#62;
&#60;img width="5616" height="3744" width_o="5616" height_o="3744" data-src="https://freight.cargo.site/t/original/i/1d9a6acd8b6865102701a7927860c01d8c442d7fb30ef0a51c6997682628c931/IMG_9312.jpg" data-mid="237574139" border="0"  src="https://freight.cargo.site/w/1000/i/1d9a6acd8b6865102701a7927860c01d8c442d7fb30ef0a51c6997682628c931/IMG_9312.jpg" /&#62;
&#60;img width="5616" height="3744" width_o="5616" height_o="3744" data-src="https://freight.cargo.site/t/original/i/6ed578222043ad78ad272dba9f71ca5cea895f76d7ca6e72ea829c8e8ef3671b/IMG_9314.jpg" data-mid="237574140" border="0"  src="https://freight.cargo.site/w/1000/i/6ed578222043ad78ad272dba9f71ca5cea895f76d7ca6e72ea829c8e8ef3671b/IMG_9314.jpg" /&#62;
&#60;img width="5616" height="3744" width_o="5616" height_o="3744" data-src="https://freight.cargo.site/t/original/i/48d596e74d7302dc41ab5df443e3d344d16b9538e9d26ce34f8cb3a06c60bcec/IMG_9303.jpg" data-mid="237574138" border="0"  src="https://freight.cargo.site/w/1000/i/48d596e74d7302dc41ab5df443e3d344d16b9538e9d26ce34f8cb3a06c60bcec/IMG_9303.jpg" /&#62;
Letter to the minister 
Our last initiative was to deliver a letter to the Vice-President of the National Council of the Slovak Republic to expand the law about protected water objects and make the Rye Islands obtain a legal personhood, similarly as it has been done in New Zeland (Wanganui River), Bangladesh and Canada (Magpie River in Quebec).

&#60;img width="6000" height="4000" width_o="6000" height_o="4000" data-src="https://freight.cargo.site/t/original/i/c3f423dd4b63eedf9cf127436bc034c3d85e4433bd6862b2fc25f2317185a610/DSC02425.JPG" data-mid="237574273" border="0"  src="https://freight.cargo.site/w/1000/i/c3f423dd4b63eedf9cf127436bc034c3d85e4433bd6862b2fc25f2317185a610/DSC02425.JPG" /&#62;
</description>
		
	</item>
		
		
	<item>
		<title>Signalling cell</title>
				
		<link>https://viktoriaarvay.cargo.site/Signalling-cell</link>

		<pubDate>Sat, 03 Dec 2022 17:20:18 +0000</pubDate>

		<dc:creator>Viktoria Arvayova</dc:creator>

		<guid isPermaLink="true">https://viktoriaarvay.cargo.site/Signalling-cell</guid>

		<description>
	Signalling Cell
Audiovisual Installation 2022
	Signalling Cell consists of a projection of the water surface which is captured by a web camera. A hanging microphone in the centre 
of the space is creating feedback with the speaker. The sound of the feedback is generating cymatic shapes on the water surface. 
When visitors of the installation manipulate with the microphone they will change the sound and thereby influence the projected visuals. 

If specific sound frequencies can influence cells in our body, to what extent are we then formed by the sound that is surrounding us? 
Aim of the project was to create a space for listening to individual frequencies, to perceive their effect on one’s mind 
and body.

Drawing from biology, our bodies respond to different cues by activating feedback mechanisms to maintain a stable internal state. Feedback mechanisms begin when there is an external stimulus that leads to changes away from the set point, that triggers the correct feedback loop. This works by the communication of cells between each other called cell signalling. Inspired by this phenomena, I was working with subwoofers to visualise the feedback between a speaker and a microphone on a water surface. I created a cell-like looking visual responding to the visitor’s interaction, to the external stimulus. 

Signalling cell is an installation developed for the Art Machines Festival in Utrecht, 7 December 2022. The concept 
was inspired by a workshop on sound feedback conducted by Edwin van der Heide, hosted by Creative Coding Utrecht.




&#60;img width="5737" height="3825" width_o="5737" height_o="3825" data-src="https://freight.cargo.site/t/original/i/9b0df78a0934c4072a2fd72cd3dd5476140bce609b0ebcf802ef73a0cb984872/52560226157_f183a1a930_o.jpg" data-mid="162181811" border="0"  src="https://freight.cargo.site/w/1000/i/9b0df78a0934c4072a2fd72cd3dd5476140bce609b0ebcf802ef73a0cb984872/52560226157_f183a1a930_o.jpg" /&#62;
&#60;img width="5472" height="3648" width_o="5472" height_o="3648" data-src="https://freight.cargo.site/t/original/i/40fcf66363f939aceb3f44dd28f1373c8de258e1298810cac10c37fdf8a48001/52560973734_7c2d1d4892_o.jpg" data-mid="162181815" border="0"  src="https://freight.cargo.site/w/1000/i/40fcf66363f939aceb3f44dd28f1373c8de258e1298810cac10c37fdf8a48001/52560973734_7c2d1d4892_o.jpg" /&#62;
&#60;img width="2400" height="1601" width_o="2400" height_o="1601" data-src="https://freight.cargo.site/t/original/i/1698ef9dd556483892a1e980b00f5dab856185eaad32de6ff8aad242262bb1dd/52561154860_51ed187d4a_o.jpg" data-mid="162181816" border="0"  src="https://freight.cargo.site/w/1000/i/1698ef9dd556483892a1e980b00f5dab856185eaad32de6ff8aad242262bb1dd/52561154860_51ed187d4a_o.jpg" /&#62;
&#60;img width="2400" height="1601" width_o="2400" height_o="1601" data-src="https://freight.cargo.site/t/original/i/b2157571b56e40d3d86f0bb7e4ba380c4f57aec3de8dc7702595e00e294545e8/52560230032_ca14f879a7_o.jpg" data-mid="162181812" border="0"  src="https://freight.cargo.site/w/1000/i/b2157571b56e40d3d86f0bb7e4ba380c4f57aec3de8dc7702595e00e294545e8/52560230032_ca14f879a7_o.jpg" /&#62;
&#60;img width="5843" height="3895" width_o="5843" height_o="3895" data-src="https://freight.cargo.site/t/original/i/2739387aa383ea0c7e1af2545941fb590b2e1a4a897b146335512349bb20cd6d/52560678816_3b9e5fa6f6_o.jpg" data-mid="162181813" border="0"  src="https://freight.cargo.site/w/1000/i/2739387aa383ea0c7e1af2545941fb590b2e1a4a897b146335512349bb20cd6d/52560678816_3b9e5fa6f6_o.jpg" /&#62;
&#60;img width="1227" height="908" width_o="1227" height_o="908" data-src="https://freight.cargo.site/t/original/i/35c435986660696a575d9bd4095b1d3dd4c2f0ba5b81582288892eeb9b843ee0/52560682716_03aa645786_o-2.jpg" data-mid="162181974" border="0"  src="https://freight.cargo.site/w/1000/i/35c435986660696a575d9bd4095b1d3dd4c2f0ba5b81582288892eeb9b843ee0/52560682716_03aa645786_o-2.jpg" /&#62;
&#60;img width="2400" height="1601" width_o="2400" height_o="1601" data-src="https://freight.cargo.site/t/original/i/9b1486d5b3a728738082389459ea6eeea6a31d83b425fc92aa9de83b2c1c88dc/52561154915_6bc28b6f3c_o.jpg" data-mid="162181817" border="0"  src="https://freight.cargo.site/w/1000/i/9b1486d5b3a728738082389459ea6eeea6a31d83b425fc92aa9de83b2c1c88dc/52561154915_6bc28b6f3c_o.jpg" /&#62;


Visitors interacting with the installation:&#38;nbsp;https://www.youtube.com/watch?v=GBGuWHo1-GI


&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp;</description>
		
	</item>
		
		
	<item>
		<title>Analog spaces</title>
				
		<link>https://viktoriaarvay.cargo.site/Analog-spaces</link>

		<pubDate>Sun, 26 Nov 2023 11:28:29 +0000</pubDate>

		<dc:creator>Viktoria Arvayova</dc:creator>

		<guid isPermaLink="true">https://viktoriaarvay.cargo.site/Analog-spaces</guid>

		<description>
	
	
 
	Analog Spaces
Site-specific&#38;nbsp;light installation 2023




	Converting analog spaces is a site-specific audiovisual environment, developed for the group exhibition Rozptyl. Representing a landscape formed by glitches and errors, merging with the actual space of the Azyl House building on Karpatská 24, in Bratislava. It is a developing concept that is exploring relations between physical and virtual spaces and translating these observations into audio-visual spatial compositions.Listen: Composition Analog Space1&#38;nbsp;
Presented at collective exhibition Rozptyl, in Bratislava 2023





&#60;img width="3468" height="4624" width_o="3468" height_o="4624" data-src="https://freight.cargo.site/t/original/i/cd5f974e412088e6adb96ece8210c84a9331e0e91f889b904500318957a85a91/20230827_172551.jpg" data-mid="197842211" border="0"  src="https://freight.cargo.site/w/1000/i/cd5f974e412088e6adb96ece8210c84a9331e0e91f889b904500318957a85a91/20230827_172551.jpg" /&#62;
&#60;img width="6000" height="4000" width_o="6000" height_o="4000" data-src="https://freight.cargo.site/t/original/i/82bf3bfdbad283316cc514249ed2ec645f8420faf198f683ce2227cfc34acff1/DSC02254.JPG" data-mid="197842175" border="0"  src="https://freight.cargo.site/w/1000/i/82bf3bfdbad283316cc514249ed2ec645f8420faf198f683ce2227cfc34acff1/DSC02254.JPG" /&#62;
&#60;img width="3468" height="4624" width_o="3468" height_o="4624" data-src="https://freight.cargo.site/t/original/i/a2029b0e9e82c3cd0e7f7516cf8f1494087a24debc72275a16881ab887e835e8/20230803_112259.jpg" data-mid="197842213" border="0"  src="https://freight.cargo.site/w/1000/i/a2029b0e9e82c3cd0e7f7516cf8f1494087a24debc72275a16881ab887e835e8/20230803_112259.jpg" /&#62;
&#60;img width="3468" height="4624" width_o="3468" height_o="4624" data-src="https://freight.cargo.site/t/original/i/606a8e1e640aaeb63e845e67a71e39ebb5ed6ae4c174f47186af88cf086bbc5d/20230803_112749.jpg" data-mid="197842212" border="0"  src="https://freight.cargo.site/w/1000/i/606a8e1e640aaeb63e845e67a71e39ebb5ed6ae4c174f47186af88cf086bbc5d/20230803_112749.jpg" /&#62;
&#60;img width="3468" height="4624" width_o="3468" height_o="4624" data-src="https://freight.cargo.site/t/original/i/5020d489f7e8bb575387a872f5c0886ce6b15989dfb360e14672282b2867ceb9/20230902_160706.jpg" data-mid="197842207" border="0"  src="https://freight.cargo.site/w/1000/i/5020d489f7e8bb575387a872f5c0886ce6b15989dfb360e14672282b2867ceb9/20230902_160706.jpg" /&#62;
&#60;img width="6000" height="4000" width_o="6000" height_o="4000" data-src="https://freight.cargo.site/t/original/i/ad5e084ecc9d4c4bf891ffb7b79224ad3a3de624aaac8cd9faa682e6ceb8cbe7/DSC02281.JPG" data-mid="206021421" border="0"  src="https://freight.cargo.site/w/1000/i/ad5e084ecc9d4c4bf891ffb7b79224ad3a3de624aaac8cd9faa682e6ceb8cbe7/DSC02281.JPG" /&#62;
&#60;img width="6000" height="4000" width_o="6000" height_o="4000" data-src="https://freight.cargo.site/t/original/i/e07ba0f1bfd5f224312903ad23daf2af9710a4629d78b1591a4f756b7176358b/DSC02238.JPG" data-mid="197842176" border="0"  src="https://freight.cargo.site/w/1000/i/e07ba0f1bfd5f224312903ad23daf2af9710a4629d78b1591a4f756b7176358b/DSC02238.JPG" /&#62;
&#60;img width="6000" height="4000" width_o="6000" height_o="4000" data-src="https://freight.cargo.site/t/original/i/04022cb9b70ac8ca708151277d62cb921f6d1df6f60b5a3e832d892caa06f8e9/DSC02315.JPG" data-mid="197842204" border="0"  src="https://freight.cargo.site/w/1000/i/04022cb9b70ac8ca708151277d62cb921f6d1df6f60b5a3e832d892caa06f8e9/DSC02315.JPG" /&#62;



 &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp;&#38;nbsp;
	I fly above the scarred landGlitchy stones, invisible entitiesWe all have a geneleaking into the collective bodyBecome aware of your fingertipsSlowly extending into the network

You are stretching across the land in irregular, fragmented fractal shapesyour fingers are reaching from one continent to anotheryou’re pushing your fingers harder into the earth, engraving the soil forming paths of communication,we are sharing the same toxins and liquids 

zero, one, space

Physiologically your body is shaped by bitsyour veins are under constant pressureof physical algorithms

Slash

heartbeattwobreath

Bracket, the squared oneAs my eyes closeSpace between the lines 


	In the past when our ancestors wanted to communicate They had to undertake a long cruise on a river they’ve been connected through water Through water they’ve been exchanging stories And the emotions they carried were transformed by the tide They simply wanted to deliver a message.
Entering this land promises more freedomstay connected to this feeling of togethernessfeel the moon As a circlea square a blue point on your forehead feel the light entering you

Slashheartbeattwobreath
Bracket - the squared oneAs my eyes closeSpace between the lines 

zero, one, square, pointSacrifice your roots,enter a collective dream,Of bodies of zeros, bits and blood..
</description>
		
	</item>
		
		
	<item>
		<title>YES or NO</title>
				
		<link>https://viktoriaarvay.cargo.site/YES-or-NO</link>

		<pubDate>Wed, 21 Sep 2022 16:23:58 +0000</pubDate>

		<dc:creator>Viktoria Arvayova</dc:creator>

		<guid isPermaLink="true">https://viktoriaarvay.cargo.site/YES-or-NO</guid>

		<description>
	YES/NO
Audiovisual Installation 2022
	YES/NO is an interactive audio responsive video installation developed during Screen Dive residency during Gaudeamus Festival week 2022 in Utrecht together with performance artist Rotem Volk (IL) and musician Carmen Terol (ES).
By aligning human response and digital transformation, Yes/No closely engages with human-machine collaboration and audience co-creation. The piece transforms participants into audience-makers, as their answers directly influence the unfolding visuals and sounds, creating a co-creative environment. In its phygital versions, Yes/No bridges physical and digital spaces, inviting reflection on decision-making. It raises questions about human agency, the evolving roles of audience and machine, and the aesthetic possibilities of technological interconnection, making 
it a relevant contribution to the discourse on interdisciplinary and ethical co-creative practices.
Every question seems to be asked with a slightly different intention. Outside the space the visitors of the festival can hear only YES or NO sounding throughout the space of De Nijverheid Café -Terras without knowing what question 
is being asked inside.
 YES or NO examines the power of a group answering intimate questions together and the way the collective experience reflects on our individual response, creates an intimate space situated in public space. A delicate relationship is created between the audience members and the screen, between the live people and the machine, between saying Yes and No.







&#60;img width="4905" height="2703" width_o="4905" height_o="2703" data-src="https://freight.cargo.site/t/original/i/c75b86e2cf4a3cfe60870d0e22833431aa722646a8fb04573269f6df2c20bd67/screen-swarm2.jpg" data-mid="153568109" border="0"  src="https://freight.cargo.site/w/1000/i/c75b86e2cf4a3cfe60870d0e22833431aa722646a8fb04573269f6df2c20bd67/screen-swarm2.jpg" /&#62;
&#60;img width="5018" height="3159" width_o="5018" height_o="3159" data-src="https://freight.cargo.site/t/original/i/4e3d3f05067e3426f26c30af7e6937b29eca090260c892efadbf51255d3aef19/screen-swarm-group.jpg" data-mid="153571865" border="0"  src="https://freight.cargo.site/w/1000/i/4e3d3f05067e3426f26c30af7e6937b29eca090260c892efadbf51255d3aef19/screen-swarm-group.jpg" /&#62;
&#60;img width="5926" height="3228" width_o="5926" height_o="3228" data-src="https://freight.cargo.site/t/original/i/4d9b47e10c1f6bc61be56b60b99ba357339a509868c5d64847f20ca297d491a2/screen-swarm-1.jpg" data-mid="153568108" border="0"  src="https://freight.cargo.site/w/1000/i/4d9b47e10c1f6bc61be56b60b99ba357339a509868c5d64847f20ca297d491a2/screen-swarm-1.jpg" /&#62;
&#60;img width="1920" height="539" width_o="1920" height_o="539" data-src="https://freight.cargo.site/t/original/i/862965b799f853e589525d3da2a9800efe51b3d517ff5bf2546723d2e228a0f1/Screenshot-2023-02-10-at-19.42.14.jpg" data-mid="177030131" border="0"  src="https://freight.cargo.site/w/1000/i/862965b799f853e589525d3da2a9800efe51b3d517ff5bf2546723d2e228a0f1/Screenshot-2023-02-10-at-19.42.14.jpg" /&#62;


Visitors interacting with the installation: https://www.youtube.com/watch?v=O7rTMoA1rgw

&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp;
	
	
</description>
		
	</item>
		
		
	<item>
		<title>Field Dialogues</title>
				
		<link>https://viktoriaarvay.cargo.site/Field-Dialogues</link>

		<pubDate>Sun, 20 Mar 2022 13:25:29 +0000</pubDate>

		<dc:creator>Viktoria Arvayova</dc:creator>

		<guid isPermaLink="true">https://viktoriaarvay.cargo.site/Field-Dialogues</guid>

		<description>
	Field Gloves

textile / electronics 2022
	
Field-Gloves were developed as experimental recording and performative devices, drawing from field recording and dyi electronics.&#38;nbsp;




&#60;img width="6000" height="3376" width_o="6000" height_o="3376" data-src="https://freight.cargo.site/t/original/i/993aee3da1c6f6d78d618d9a2e9545e35904eb4879ec78a9d395e421f9ab063b/DSC09955.JPG" data-mid="154338694" border="0"  src="https://freight.cargo.site/w/1000/i/993aee3da1c6f6d78d618d9a2e9545e35904eb4879ec78a9d395e421f9ab063b/DSC09955.JPG" /&#62;
&#60;img width="2631" height="1602" width_o="2631" height_o="1602" data-src="https://freight.cargo.site/t/original/i/a593b13a61e91c3e94e92c947e96903d3a671079c4b975ce98cff9844110d3f4/Snimka-obrazovky-2022-05-18-o-22.50.jpg" data-mid="146804992" border="0"  src="https://freight.cargo.site/w/1000/i/a593b13a61e91c3e94e92c947e96903d3a671079c4b975ce98cff9844110d3f4/Snimka-obrazovky-2022-05-18-o-22.50.jpg" /&#62;
&#60;img width="2631" height="1602" width_o="2631" height_o="1602" data-src="https://freight.cargo.site/t/original/i/be70f5067cddf01d2d71ff9b60996a3ae3a048ed9a00e4adda513b7d8a5976ac/222.jpg" data-mid="146805058" border="0"  src="https://freight.cargo.site/w/1000/i/be70f5067cddf01d2d71ff9b60996a3ae3a048ed9a00e4adda513b7d8a5976ac/222.jpg" /&#62;
&#60;img width="6000" height="3376" width_o="6000" height_o="3376" data-src="https://freight.cargo.site/t/original/i/f5ca0818f92ebe8cd131bc669a3649447dd3dac92e4a2aa9e32c5a9f9fbdf9c8/DSC09890.JPG" data-mid="154338792" border="0"  src="https://freight.cargo.site/w/1000/i/f5ca0818f92ebe8cd131bc669a3649447dd3dac92e4a2aa9e32c5a9f9fbdf9c8/DSC09890.JPG" /&#62;
&#60;img width="5174" height="3287" width_o="5174" height_o="3287" data-src="https://freight.cargo.site/t/original/i/257d008dd0711f819a1661e9032128270a1f90afaa4f264abccf575a6b554d8f/DSC00023.jpg" data-mid="153573635" border="0"  src="https://freight.cargo.site/w/1000/i/257d008dd0711f819a1661e9032128270a1f90afaa4f264abccf575a6b554d8f/DSC00023.jpg" /&#62;
&#60;img width="2631" height="1602" width_o="2631" height_o="1602" data-src="https://freight.cargo.site/t/original/i/fec3f4b6693c9d9dd8913e845dc2a89f2e18cd9ea080bb08080ee460831789f0/upravena.jpg" data-mid="146804990" border="0"  src="https://freight.cargo.site/w/1000/i/fec3f4b6693c9d9dd8913e845dc2a89f2e18cd9ea080bb08080ee460831789f0/upravena.jpg" /&#62;
</description>
		
	</item>
		
		
	<item>
		<title>Disconnected</title>
				
		<link>https://viktoriaarvay.cargo.site/Disconnected</link>

		<pubDate>Sun, 20 Mar 2022 13:25:29 +0000</pubDate>

		<dc:creator>Viktoria Arvayova</dc:creator>

		<guid isPermaLink="true">https://viktoriaarvay.cargo.site/Disconnected</guid>

		<description>
	Disconnected
Audiovisual Installation,
 Interactive sound object
2022
	Disconnected is an audio-visual installation reacting to the topic of cognitive overload. 
This project explores the impact of media technologies on our mental well being, particularly during moments of crisis and isolation. Surrounded by algorithmic recommendations 
and external influences, how do we retain our sense of self? 
How do we exist within these overwhelming networks? During the pandemic, when social interactions were limited, the virtual space 
—offering either spiritual or practical advice—became a substitute for real human connection.


By layering and multiplying collected recordings of various internet figures, I created an ‘informational sound smog’- a dense, overwhelming mass of networking voices where clarity is lost. Instead of answers, we are left with cognitive overload, mirroring
 the disorienting effects of digital overstimulation. This work questions how media technologies mediate the voice, transforming 
it from a direct human presence into an endless stream 
of disembodied soundbites.  









&#60;img width="6000" height="4000" width_o="6000" height_o="4000" data-src="https://freight.cargo.site/t/original/i/747b4780e7726c4f460c741c4c2d1de629c01651f822b915bfef96c2ffb182fd/upr2-DSC01990.jpg" data-mid="171411686" border="0"  src="https://freight.cargo.site/w/1000/i/747b4780e7726c4f460c741c4c2d1de629c01651f822b915bfef96c2ffb182fd/upr2-DSC01990.jpg" /&#62;
&#60;img width="5598" height="4000" width_o="5598" height_o="4000" data-src="https://freight.cargo.site/t/original/i/5b98d11a899d94042bc77f03e32dcca6de9236ff0c7bfd419f8b46b551de00fd/up.-DSC01989.jpg" data-mid="171411687" border="0"  src="https://freight.cargo.site/w/1000/i/5b98d11a899d94042bc77f03e32dcca6de9236ff0c7bfd419f8b46b551de00fd/up.-DSC01989.jpg" /&#62;



Link to video:&#38;nbsp;https://youtu.be/H-3fY_ugMms</description>
		
	</item>
		
		
	<item>
		<title>Acousmatic Garden</title>
				
		<link>https://viktoriaarvay.cargo.site/Acousmatic-Garden</link>

		<pubDate>Tue, 25 Jul 2023 21:09:33 +0000</pubDate>

		<dc:creator>Viktoria Arvayova</dc:creator>

		<guid isPermaLink="true">https://viktoriaarvay.cargo.site/Acousmatic-Garden</guid>

		<description>
	Acousmatic Garden
Light Installation/&#38;nbsp;
Sound
2024


	It is estimated that technology increases noise levels in cities by an average of one decibel per year. Excessive noise has a pathological 
effect on health, it is related to the growth of cardiovascular diseases, sleep disorders, increased fatigue, tension and anxiety. Some cities 
are currently solving this problem by introducing the function of an "acoustic designer", who regulates and improves the soundscape of the city by his interventions. Aim of the project Acousmatic Garden is to draw attention to this issue through an installation placed within 
a specific urban environment. The output of the project is represented by two designs for public lighting, which display the sound intensity 
of the given area in a form of light projections.

The audio-visual environment creates a space to listen, introspect and perceive our surroundings with the integration of technology. Intersecting nature and technology, noise and silence, garden and a the city. The final form of the project is a design solution for public lighting that translates the sound intensity of a given area into light projections. 




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&#60;img width="3390" height="2480" width_o="3390" height_o="2480" data-src="https://freight.cargo.site/t/original/i/1a0ba9ae4df3f02a9b441929671a148c71956412864c7501290349a84ed577ec/2-32.jpg" data-mid="186087403" border="0"  src="https://freight.cargo.site/w/1000/i/1a0ba9ae4df3f02a9b441929671a148c71956412864c7501290349a84ed577ec/2-32.jpg" /&#62;
&#60;img width="3390" height="2480" width_o="3390" height_o="2480" data-src="https://freight.cargo.site/t/original/i/dce8d439905922f9abceb77be53f8926a24626002cef4942062df39c666dadd5/4.jpg" data-mid="186087404" border="0"  src="https://freight.cargo.site/w/1000/i/dce8d439905922f9abceb77be53f8926a24626002cef4942062df39c666dadd5/4.jpg" /&#62;
&#60;img width="3508" height="2480" width_o="3508" height_o="2480" data-src="https://freight.cargo.site/t/original/i/a8994b628bb51bc1dfabf7064cabfa504a1a0b464baf6f2db807f0dad311f49d/Bakalarka-vzory.jpg" data-mid="186087540" border="0"  src="https://freight.cargo.site/w/1000/i/a8994b628bb51bc1dfabf7064cabfa504a1a0b464baf6f2db807f0dad311f49d/Bakalarka-vzory.jpg" /&#62;
</description>
		
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